VOLKSWAGEN ID.3 2020 Owner´s Manual

Open in g t h e m ob il e p hon e in te rf a ce
— H O M E .
U sin g t h e t e le p ho ne
Se le ct a p hon e n um ber t o s ta rt a c a ll. D if fe re n t f u n ctio n s a re a va il a b le f o r s e le ctio n o f p hon e
n um bers .
U sin g c o n ta ct d ata
If t h ere a re s e ve ra l p hon e n um bers f o r e ach c o n ta ct, y o u m ust s e le ct t h e d esir e d p hon e n um ber.
— a n d e n te r t h e c o n ta ct d ata y o u a re l o okin g f o r. T o uch t h e c o n ta ct in t h e l is t t o s ta rt
t h e c a ll.
— F avo urit e s. T o uch a c o n ta ct in t h e l is t t o s ta rt t h e c a ll.
— A ll. T o uch a c o n ta ct in t h e l is t t o s ta rt t h e c a ll.
U sin g t h e c a ll l is t
T h e m ob il e p hon e in te rf a ce s to re s in co m in g a n d o utg oin g c a lls in t h e c a ll l is t. F re q uen tly u se d
p hon e n um bers a re s to re d a s f a vo urit e s. S ta rt c a lls v ia t h e c a ll l is t.
—T o uch A ll. T o uch a n um ber in t h e l is t t o s ta rt t h e c a ll.
—T o uch M is se d c a lls. T o uch a n um ber in t h e l is t t o s ta rt t h e c a ll.
—T o uch Favo urit e s. T o uch a c o n ta ct t o s ta rt t h e c a ll.
E nte rin g a p hon e n um ber m an ually
1. a n d e n te r t e le p hon e n um ber.
2. T o uch t o s ta rt t h e c a ll.
W hil e y o u a re e n te rin g a p hon e n um ber, c o n ta cts t h at m atc h t h e n um ber w il l b e s h ow n
on t h e I n fo ta in m en t s y ste m d is p la y.
S en d in g t e x t m essa g es
Dep en din g o n t h e m ob il e d evic e a n d t h e I n fo ta in m en t s y ste m u se d , y o u c a n s e n d a n d r e ce iv e
te xt m essa g es a n d e m ail s v ia t h e m ob il e p hon e in te rf a ce .
Sw it c h in g b etw een t e xt m essa g es a n d e m ail
T o s e n d t e xt m essa g es o r e m ail s , a ctiv a te t h e c o rre sp on din g o ptio n a t t h e t o p l e ft o f t h e s c re en .
Th e a ctiv e o ptio n is d is p la ye d o n t h e s c re en , e .g . T e xt m essa g e.
1. .
2. T o uch t h e f u n ctio n b utto n f o r t h e d esir e d o ptio n a t t h e t o p l e ft o f t h e s c re en .
Se n din g t e xt m essa g es
M aking p ho ne c a lls a nd s e nd ing m essa g es

1. N ew m essa g e a n d e n te r t h e m essa g e o n t h e s c re en .
2. T o uch O K a n d o n e o r m ore c o n ta cts in t h e l is t. I f n ece ssa ry , y o u c a n s e arc h f o r a c o n ta ct b y
m ean s o f  S e arc h.
S e n din g e m ail s
1. N ew m essa g e a n d e n te r t h e m essa g e o n t h e s c re en .
2. T o uch O K a n d o n e o r m ore c o n ta cts in t h e l is t. I f n ece ssa ry , y o u c a n s e arc h f o r a c o n ta ct b y
m ean s o f  S e arc h.

Te le p ho ne b ook
W hen a t e le p hon e is p air e d w it h t h e I n fo ta in m en t s y ste m f o r t h e f ir s t t im e, t h e t e le p hon e b ook
is s to re d in t h e I n fo ta in m en t s y ste m . I t m ay b e n ece ssa ry t o c o n fir m t ra n sfe r o n t h e t e le p hon e.
T h e t e le p hon e b ook is u p date d e ach t im e a n ew c o n nectio n is e sta b lis h ed . T h e s til l e xis tin g
te le p hon e b ook c a n b e u se d d urin g t h e u p date .
If c o n fe re n ce c a lls a re s u p port e d , t h e t e le p hon e b ook c a n b e o p en ed d urin g a c a ll.
I f a n im ag e is s to re d f o r a c o n ta ct, t h is c a n a ls o b e d is p la ye d in t h e l is t n ext t o t h e e n try .
F av o ur it e s a n d s p eed d ia l b utto ns
A f a vo urit e f ro m t h e t e le p hon e b ook c a n b e a ssig ned t o a s p eed d ia l b utto n . I f a n im ag e is s to re d
in t h e e n try , it w il l b e d is p la ye d o n t h e s p eed d ia l b utto n .
Sp eed d ia l b utto n s m ust b e a ssig ned m an ually a n d a re a ssig ned t o a u se r p ro fil e .
A ssig nin g a s p eed d ia l b utto n
1. .
2. T o uch a c o n ta ct f ro m t h e t e le p hon e b ook. I f s e ve ra l p hon e n um bers a re s to re d f o r a c o n ta ct,
t o uch a n um ber f ro m t h e l is t.
E dit in g a s p eed d ia l b utto n
1. P re ss a n d h old t h e s p eed d ia l b utto n u n til t h e t e le p hon e b ook is o p en ed .
2. T o uch a n ew c o n ta ct f ro m t h e t e le p hon e b ook. I f s e ve ra l p hon e n um bers a re s to re d f o r a
c o n ta ct, t o uch a n um ber f ro m t h e l is t.
C allin g a f a vo urit e
1. T o uch t h e a ssig ned s p eed d ia l b utto n .
Favo urit e s a re n ot a u to m atic a lly u p date d . I f t h e p hon e n um ber o f a c o n ta ct c h an ges, t h e
sp eed d ia l b utto n m ust b e a ssig ned a g ain .
D ele tin g a s p eed d ia l b utto n
1. .
2. .
T e le p ho ne b ook, f a v o urit e s a nd s p eed d ia l b utt o ns

Sto w in g l ug gag e s a fe ly i n t h e v e h ic le
—A lw ays d is trib ute a n y l o ad s in t h e v e h ic le a s e ve n ly a s p ossib le . D o n ot c o ve r a n y v e n til a tio n
o p en in gs.
—A lw ays s to w l u g gag e a n d h eavy o b je cts in t h e l u g gag e c o m part m en t →   a n d p la ce t h em a s f a r
fo rw ard s a s p ossib le .
—O bse rv e g ro ss a xle w eig ht r a tin gs a n d t h e g ro ss v e h ic le w eig ht r a tin g (→ Te ch nic a l d ata).
—S e cu re l u g gag e t o t h e f a ste n in g r in gs in t h e l u g gag e c o m part m en t u sin g s u it a b le l a sh in g, f ix in g
an d s e cu rin g s tra p s (→ Lug gag e c o m part m en t e q uip m en t).
—A ls o s to w s m all o b je cts s a fe ly .
—If n ece ssa ry , f o ld b ack t h e r e ar s e at b ack re st a n d e n gag e it s e cu re ly .
—If n ece ssa ry , a d ju st t h e h ead lig ht r a n ge (→ Head lig ht r a n ge c o n tro l). V eh ic le s w it h d yn am ic
h ead lig ht r a n ge c o n tro l a d ap t a u to m atic a lly t o t h e l o ad .
—A dju st t h e t y re p re ssu re a cco rd in g t o t h e v e h ic le l o ad . O bse rv e t h e t y re p re ssu re s tic ke r (→ Ty re
p re ssu re).
—If n ece ssa ry , a d ap t t h e t y re m on it o rin g s y ste m t o t h e n ew l o ad l e ve l ( → Ty re m on it o rin g s y ste m s).
W AR N IN G
O bje cts t h at a re n ot s e cu re d , o r a re s e cu re d in co rre ctly , c a n c a u se s e rio us in ju rie s in t h e e ve n t o f a
s u d den d riv in g o r b ra kin g m an oeu vre o r a cc id en t. T h is a p plie s p art ic u la rly if o b je cts a re s tru ck
w hen t h e a ir b ag is t rig gere d a n d t h en f lu n g t h ro ug h t h e v e h ic le in te rio r. T o r e d uce t h e r is k o f
acc id en ts , p le ase o b se rv e t h e f o llo w in g g uid elin es:
●A lw ays s to w a ll o b je cts in t h e v e h ic le s e cu re ly . A lw ays o b se rv e t h e l e g al r e g ula tio n s.
●O bje cts s h ould b e s to w ed in t h e v e h ic le in te rio r in s u ch a w ay t h at t h ey c a n n eve r e n te r t h e
air b ag d ep lo ym en t z o n es w hil e t h e v e h ic le is in m otio n .
●A lw ays k e ep s to w ag e c o m part m en ts c lo se d w hil e t h e v e h ic le is in m otio n .
●Sto w ed o b je cts m ust n eve r c a u se p asse n gers t o a ssu m e a n in co rre ct s it tin g p osit io n .
●If a n it e m is b ein g s to w ed o n a s e at, t h is s e at m ust n ot b e u se d b y a n y p ass e n gers .
●D o n ot s to w a n y h ard , h eavy o r s h arp o b je cts l o ose in a n y o f t h e v e h ic le 's o p en s to w ag e a re as,
o n t h e s u rf a ce b eh in d t h e r e ar s e at b ack re st o r o n t h e d ash p an el.
●R em ove a n y h ard , h eavy o r s h arp o b je cts f ro m it e m s o f c lo th in g a n d b ag s in t h e v e h ic le in te rio r
an d s to w t h em s e cu re ly .
T ra ns port ing i t e m s
Sto w ing l u g gag e a nd l o ad s

WAR N IN G
Tra n sp ort in g h eavy o b je cts c h an ges t h e v e h ic le 's h an dlin g d ue t o t h e c h an ge in t h e c e n tre o f
g ra vit y a n d in cre ase s t h e b ra kin g d is ta n ce . H eavy l o ad s t h at a re n ot p ro p erly s to w ed o r s e cu re d in
t h e v e h ic le c a n l e ad t o a l o ss o f v e h ic le c o n tro l a n d c a n c a u se s e rio us in ju ry .
●N eve r e xce ed t h e v e h ic le 's m axim um l o ad . B oth t h e l o ad a n d t h e d is trib utio n o f t h e l o ad in t h e
ve h ic le w il l h ave a n e ffe ct o n t h e d riv in g r e sp on se a n d b ra kin g d is ta n ce o f t h e v e h ic le .
●Tra n sp ort in g h eavy o b je cts c h an ges t h e v e h ic le 's h an dlin g a n d t h e c e n tre o f g ra vit y .
●T h e l o ad s h ould b e d is trib ute d a s e ve n ly a s p ossib le in t h e v e h ic le .
●A lw ays s e cu re h eavy o b je cts in t h e l u g gag e c o m part m en t a s f a r in f ro n t o f t h e r e ar a xle a s
p ossib le .
●Lo ose o b je cts in t h e l u g gag e c o m part m en t c a n s u d den ly s lid e a n d c h an ge t h e w ay t h e v e h ic le
h an dle s.
●A lw ays a d ap t y o ur s p eed a n d d riv in g s ty le t o s u it v is ib il it y , w eath er, r o ad a n d t ra ffic c o n dit io n s.
●A cce le ra te c a re fu lly a n d g en tly .
●A vo id s u d den b ra kin g a n d d riv in g m an oeu vre s.
●B ra ke e arlie r t h an in n orm al d riv in g.
N OTIC E
R ub bin g o b je cts o n t h e r e ar w in dow s c a n c a u se d am ag e, e .g . t o t h e h eatin g w ir e s o f t h e r e ar
w in dow h eatin g.

Fig . 1 I n t h e l u g gag e c o m part m en t: r e m ovin g a n d in sta llin g t h e l u g gag e c o m part m en t c o ve r.
W hen t h e b oot l id is o p en ed a n d c lo se d , t h e l u g gag e c o m part m en t c o ve r is a ls o r a is e d a n d l o w ere d
if t h e r e ta in in g s tra p s a re a tta ch ed .
Li ght it e m s o f c lo th in g c a n b e p la ce d o n t h e l u g gag e c o m part m en t c o ve r. M ake s u re t h at t h e v ie w t o
th e r e ar o f t h e v e h ic le is n ot o b stru cte d .
R em ovin g t h e l ug gag e c o m part m en t c o ve r
—Unhook t h e r e ta in in g s tra p s f ro m t h e b oot l id →  Fig . 1 ( u p per a rro w s).
—P ull t h e l u g gag e c o m part m en t c o ve r o ut o f t h e s id e h old ers (lo w er a rro w s).
F it tin g t h e l ug gag e c o m part m en t c o ve r
—Push t h e l u g gag e c o m part m en t c o ve r in to t h e s id e h old ers →  Fig . 1 ( lo w er a rro w s).
—H ook t h e r e ta in in g s tra p s o n to t h e b oot l id (u p per a rro w s).
L u g gag e c o m part m ent c o ve r

WAR N IN G
O bje cts t h at a re n ot s e cu re d o r a re s e cu re d in co rre ctly , o r a n im als o n t h e l u g gag e c o m part m en t
co ve r, c o uld c a u se s e rio us in ju rie s in a n y s u d den d riv in g o r b ra kin g m an oeu vre o r a cc id en t.
●D o n ot s to w a n y h ard , h eavy o r s h arp it e m s e it h er l o ose o r in b ag s o n t h e l u g gag e c o m part m en t
co ve r.
●N eve r t ra n sp ort a n im als o n t h e l u g gag e c o m part m en t c o ve r.
W AR N IN G
Clo th in g a n d o th er it e m s o n t h e l u g gag e c o m part m en t c o ve r m ay r e stric t r e ar v is ib il it y , r e su lt in g in
a cc id en ts a n d s e rio us in ju ry .
●A lw ays s to w g arm en ts a n d o th er o b je cts in s u ch a w ay t h at t h e v ie w t o t h e r e ar is n ot
re stric te d .
N OTIC E
To p re ve n t d am ag e t o t h e l u g gag e c o m part m en t c o ve r, d o n ot l o ad t h e l u g gag e c o m part m en t t o
s u ch a h eig ht t h at t h e l u g gag e c o m part m en t c o ve r p re ss e s a g ain st t h e l o ad w hen t h e b oot l id is
c lo se d .

Fig . 1 I n t h e l u g gag e c o m part m en t: l u g gag e c o m part m en t f lo or
L u g gag e c o m part m ent f lo o r
Lu g gag e c o m part m ent f lo o r – F u nc tio ns

Fig . 2 I n t h e l u g gag e c o m part m en t: s e co n d l u g gag e c o m part m en t f lo or.
T h e r e ar p art o f t h e l u g gag e c o m part m en t f lo or c a n b e f o ld ed f o rw ard →  Fig . 1. T h ere is a
s to w ag e c o m part m en t u n dern eath t h e f lo or.
D ep en din g o n t h e v e h ic le e q uip m en t, t h e v e h ic le m ay h ave a s e co n d l u g gag e c o m part m en t f lo or
ab ove t h is →  Fig . 2.
O pen in g a n d c lo sin g t h e s e co nd l ug gag e c o m part m en t f lo or
—To op en, g ra sp t h e h an dle →  Fig . 2  1 a n d f o ld t h e r e ar p art o f t h e l u g gag e c o m part m en t
flo or f o rw ard (a rro w ).

—To clo se, f o ld b ack t h e l u g gag e c o m part m en t f lo or a n d c a re fu lly l o w er in to p osit io n →  .
Secur in g t h e s e co nd l ug gag e c o m part m en t f lo or p ara lle l t o t h e b ack re st
—Fo ld t h e r e ar p art o f t h e l u g gag e c o m part m en t f lo or f o rw ard (a rro w s).
—Li ft t h e f o ld ed l u g gag e c o m part m en t f lo or a n d in se rt in to t h e s id e r e ta in ers w it h t h e o p en s id e
fa cin g d ow n →  Fig . 2 .
L o w erin g t h e s e co nd l ug gag e c o m part m en t f lo or
—Li ft t h e r e ar p art o f t h e l u g gag e c o m part m en t f lo or b y t h e h an dle →  Fig . 2  1 a n d f o ld
f o rw ard .
—P ull t h e f o ld ed l u g gag e c o m part m en t f lo or t o t h e r e ar o ve r t h e s id e g uid es a n d l o w er in to
p osit io n a t t h e b otto m .
NOTIC E
In co rre ct u se c a n d am ag e t h e l u g gag e c o m part m en t f lo ors o r t h e t rim o f t h e l u g gag e
co m part m en t.
●A lw ays g uid e t h e l u g gag e c o m part m en t f lo ors d ow n c a re fu lly w hen c lo sin g a n d d o n ot
allo w t o d ro p .
●A lw ays d is trib ute l o ad s (m axim um 5 0 k g ) o ve r a s w id e a n a re a a s p ossib le o n t h e l u g gag e
co m part m en t f lo ors in o rd er t o a vo id p oin t l o ad s.